Chandogya

The Chandogya Upanishad is notable for its lilting metric structure, its mention of ancient cultural elements such as musical instruments, and embedded philosophical premises that later served as foundation for Vedanta schools.

Eighth Khanda

Now begins a discussion on the sevenfold Sāma worship. One can perform this sevenfold Sāma worship in speech. Wherever the syllable huṃ occurs in speech, that is hiṃkāra. Similarly, wherever the syllable pra occurs, that is to be taken for the prastāva. And wherever ā occurs, that is ādi (the beginning).

Wherever the syllable ut occurs, that is the udgītha. Where there is prati, that is the pratihāra. Where you find upa, that is the upadrava. And where you find ni, that is the nidhana.

He who knows Sāma in this way, and performs the sevenfold Sāma worship in speech, gets from speech whatever good things it has to offer. He also gets plenty of food to eat, and he eats that food (and thereby looks radiant in health).

Krishjan
Krishjan | Explore Dharma

Install the app to enjoy more features